Yesterday I received the almost-ready-to-publish-as-an-ebook file of If You Loved Me, a novel of mine originally published by Zebra Bouquet (Kensington Books). I love this story and I’m so pumped to know it will soon be available once again!
Originally I wrote it for Mills and Boon Harlequin, but my editor there wanted me to
make the heroine younger (she was in her late thirties), and
change the father of her son to someone else
The whole story was based on the premise that Emma’s son had gone kayaking in the wilderness with a friend, and was now missing. Changing Emma’s age would have made her either a child-mother, or a negligent one for letting her pre-adolescent son head into the wilderness without an adult. In addition, it was unlikely she would have achieved prominence as an orthopaedic surgeon at the ripe old age of twenty-something.
My editor was reasonable about Emma’s age because of the negligent mother issue, but wouldn’t budge on the identity of her son’s father. I decided not to change the identity of the father of Emma’s son, because that would change a crucial decision Emma had made in the past – and my plot would make no sense at all. So I withdrew the novel and went on to write several other books for Harlequin.
A few years later I learned that one of the Kensington editors was looking for 70,000 word stories for their new Bouquet imprint. I decided to submit If You Loved Me. I would need to add an extra 10-15,000 words, but that would be a pleasure as I’d been challenged to fit it into M&B’s 55-60,000 word limit when I first wrote the novel. I sent off an email query and received a phone call from Kensington within a few days. If You Loved Me became the first of four novels I wrote for Kensington, and I enjoyed the scope the extra length gave me.
I laughed when my new Kensington editor told me that one of the things she loved about the book was the boy’s parentage – the exact thing that had caused me to withdraw the book from M&B. Go figure!
Last year I applied to get the rights back to my four Kensington novels, and when I received the reversion documents I was thrilled because I could have all four novels available as eBooks for Kindle, Nook, Kobo, and iBooks before the end of 2011.
So here I am with the “e” equivalent of galleys, ready to start the final edit. Unlike the world of print books, I have the opportunity to make any changes I like before the book goes out to the world – and I get to work with my own cover artist on a design! Kensington does great cover art and I liked the covers of my four Bouquets, but being in on the creation with a cover designer like Angela is a real joy.
So while my husband and I continue east on our road trip across the North American continent, I’ll be enjoying a final read through If You Loved Me before it goes to e-press on Kindle, Nook, Kobo, and iBooks!
If fictional characters had to pay real dollars for therapy, a few of mine would be bankrupt and suffering from multiple identity disorder.
Even I’m confused about the identity of the hero of my seventh published book. Andrew, Takeover Man‘s hero, stormed into town to reorganize his aging father’s life and ran into Maggie, a female harbormaster with an attitude. Maggie knew who she was from the instant she flashed onto my computer screen, but Andrew wasn’t so lucky. If I’d been writing this book in the days when authors slaved over typewriters and had to retype the manuscript with each draft, Andrew would have managed to hang onto his name—too much work to change it. But when I read through my final draft, I decided that the name Andrew just didn’t evoke the image of a takeover man. So my last act as his creator was a search-and-replace, wiping Andrew out of existence and substituting Michael.
Looking back now, I’m not sure Michael sounds any more take-charge than Andrew. It seemed important to me at the time and, who knows, maybe I was right … or wrong.
One way or another I’ve spent a lot of time naming my characters.
Like many writers I’ve collected a host of baby name books over the years. After years of trying to find the perfect name book, in the late 1990s my husband and I developed a computer names database, and a few years later, my son Cameron enhanced and expanded it into MuseNames. I keep adding new names as I find them and the MuseNames database has now grown to 60,000 names. I know it’s crazy to think I need 60,000 names, but I love exploring the names and their meanings as I create my characters. With all those names at my disposal, I could write forever and never repeat a hero or heroine’s name.
Well, not exactly.
When my twenty-third book was accepted for publication, the editor suggested I change the name of Strangers by Day’s hero from Allan to something more masculine. Perhaps Max, he suggested.
I’ve always been fond of short, simple masculine names. If I couldn’t have Allan, there was no reason Faith couldn’t fall in love with a man named Max—it was exactly the sort of name I might give one of my heroes. I did another search-and-replace and Allan became Max.
Oops! Max was the hero of my very first book, Pacific Disturbance.
Oh, well. The two men will probably never meet. Max #1 (Pacific Disturbance) is a West Coast software developer; Max #2 (Strangers by Day) is a cattle rancher in the interior of British Columbia. I should be safe, unless they both turn up in Vegas on the same weekend and their wives get to comparing heroes.